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The Encyclopedia of Horology

Pocket watch · Enamel pocket watch

Jean Mussard Enamel Pocket Watch

Partially verified

This pocket watch features an 18K gold and enamel case with enamel work attributed to Jean Mussard of Geneva, circa 1710. The movement is signed by George Richards of London, numbered 16011. The case is a two-body "bassine" design, with the back featuring an enamel painting of Danaé visited by Jupiter in the form of a shower of golden rain. The band displays an enamel landscape scene including a traveler and donkey. The dial is white enamel with a Roman hour chapter and outer minute divisions. The movement is a 35 mm full plate construction with square baluster pillars, fusee and chain, verge escapement, and a steel three-arm balance with a flat spring.

Enamel case back showing a mill and water wheel landscape.
Enamel case back showing a mill and water wheel landscape. — Antiquorum. Rights pending — permission not yet requested. Original source

Catalogue identity

Source
catalog.antiquorum.swiss
Category
Pocket watch · Enamel pocket watch
Maker / attribution
Jean Mussard / George Richards
Reference
Not recorded
Catalogue / lot identifier
24
Source-reported date
circa 1710
Source-reported place
Switzerland
Source-reported serial
16011

Source-reported attribution and specifications are not independent authentication. A listing does not establish present ownership, current display, availability or permission to reproduce.

Object description

Case and Dial Construction

The watch is housed in an 18K gold, two-body 'bassine' case. The reverse of the case is decorated with an enamel painting depicting the mythological scene of Danaé visited by Jupiter, who is represented as a shower of golden rain. The band of the case is decorated with a continuous rural landscape featuring a traveler and a donkey, set against a river background. The dial is composed of white enamel and displays a Roman hour chapter with outer minute divisions marked by five-minute Arabic numerals. The watch is equipped with gold 'Louis XV' hands, matching the material of the case.

The enamel artwork on the exterior of the watch serves as the primary visual decoration. The landscape scenes are executed in a continuous format around the circumference of the case band.

The dial is simple in construction, following early eighteenth-century layouts, focusing on legibility with its white enamel background and high-contrast numerals. The integration of the enamelwork with the gold case indicates a collaboration between a case-maker and an enamel artist.

Evidence for this section
  • “C. Two-body, "bassine", the back very finely painted with Danaé being visited by Jupiter disguised as a shower of golden rain, band painted with a continuous rural landscape and a traveler with his donkey against a river landscape background.”
  • “D. White enamel, Roman hour chapter, outer minute divisions with five-minute Arabic numerals.”
  • “Gold "Louis XV" hands.”

Movement and Technical Specifications

The movement measures 35 mm, corresponding to 15 1/2 lignes. It is a full plate movement featuring square baluster pillars, which support the train. Power is supplied by a fusee and chain mechanism. The escapement is of the verge type, controlling a steel three-arm balance with a flat spring. The regulation of the watch is handled by a rack and pinion regulator, which operates against a silver plate calibrated from 1 to 6 in Arabic numerals.

The technical components, such as the rack and pinion regulator and the verge escapement, are characteristic features of the watch's construction. The combination of the Geneva-attributed case and the London-attributed movement suggests the interaction of different European horological centers.

Evidence for this section
  • “M. 35 mm. (15 1/2'''), full plate, square baluster pillars, fusee and chain, verge escapement, steel, three-arm balance with flat spring, on-footed cock pierced and engraved in asymmetrical scrolls and foliage with a flower blossom in the center, rack and pinion regulator with a silver plate calibrated from 1 to 6 in Arabic numerals.”

Signatures and Provenance

The movement is signed, and the enamel work on the case is attributed to Jean Mussard, who was based in Geneva.

The watch carries an auction-reported provenance, having previously been part of the Lord Sandberg Collection. It was sold in a Geneva auction on March 31, 2001, as lot 10. The current documentation ties the watch to this historical record, providing a trajectory for the object's movement through horological collections since the early twenty-first century.

Evidence for this section
  • “Signed on the movement, the enameller's signature on the case.”
  • “Previously in the Lord Sandberg Collection, sold in Geneva, March 31, 2001, lot 10.”

Open research questions

  • What is the verified connection between George Richards and the Geneva-based case makers?
  • Are there other recorded examples of cases by Jean Mussard paired with English movements from the early 18th century?

Source evidence

Recorded claims and source quotations for Jean Mussard Enamel Pocket Watch
FieldSource-reported valueSource quotation
MakerJean Mussard, Geneva; movement by George Richards, London“Jean Mussard, Geneva, circa 1710, movement by George Richards, London, No. 16011.”
Material18K gold and enamel“Very fine and very rare 18K gold and enamel watch.”
CaseTwo-body bassine“C. Two-body, "bassine”
Movement dimensions35 mm (15 1/2''')“M. 35 mm. (15 1/2''')”
EscapementVerge“verge escapement”
ProvenanceLord Sandberg Collection“Previously in the Lord Sandberg Collection, sold in Geneva, March 31, 2001, lot 10.”
Serial Number16011“No. 16011”

Visible details

  • Enamel scene of a mill and water wheel on the case band
  • Gold Louis XV hands on the white enamel dial
  • Engraved asymmetrical scrolls on the on-footed balance cock
  • Two-body bassine case profile

Research qualifications

  • The source attributes the enamel painting to Jean Mussard without providing additional biographical proof.
  • The precise relationship between the London-made movement and the Geneva-made case remains unconfirmed in the provided text.

Photograph identity and source facts were screened before import; rights clearance remains pending.

Terms in this record

Glossary explanations for terms named in this object’s record.