Identity and Subject Matter
This 19th-century mantel clock centers on a patinated allegorical figure described as 'Brise D'Automne.' The sculpture stands atop a circular plinth finished in a simulated marble material.
The identification of the sculptor is attributed by the auctioneer as 'after Moreau.' No specific details regarding the artisan or foundry origin are recorded in the source.
Evidence for this section
- “depicting Brise D'Automne after Moreau”
- “on a simulated marble base”
