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The Encyclopedia of Horology

Catalogue record · Clock

English Eight-Day Longcase Clock

Partially verified

The domestic precision clock of the English tradition: a seconds pendulum, an anchor escapement and an eight-day train, in a case whose regional style is often the best clue to where it was made.

Overview

The longcase clock exists because the pendulum needs length and protection. A seconds pendulum, swinging about a metre, demanded a tall case, and the case in turn became the principal vehicle for regional cabinetmaking style.

Movement and case were often made by different trades, so a longcase clock is really two objects that must be assessed separately and then together.

History

The application of the pendulum to clocks in the mid-seventeenth century transformed accuracy from minutes to seconds per day, and the anchor escapement allowed the small arc a long pendulum needs.

Brass dials give way to painted iron dials in the later eighteenth century — one of the most useful broad dating markers in English clocks.

Design

Hood, trunk and base proportions, hood columns, the shape of the door and the dial arch are the language of regional attribution.

Provincial clocks are often tall and broad; London work of the same date is frequently more restrained.

Movement

Two trains: going and striking. Rack striking allows repeat striking and correct sequencing after the hands are moved; count-wheel striking does not.

Anchor escapement with a seconds pendulum; the crutch, suspension spring and beat setting are the three things most often wrong in a clock that will not run.

Deadbeat escapements, maintaining power and fine beat adjustment mark regulator-grade work rather than domestic clocks.

Case

Cases are frequently restored, reduced in height, re-veneered or married to other movements. Height reduction is common and detectable from proportion and internal evidence.

A married case is not necessarily a fake, but it must be described honestly.

Dial and hands

Brass dials: chapter ring silvering, spandrel castings and engraving style are all datable.

Painted dials: repainting is common and destroys original decoration; overpainted dials should be disclosed.

Technical specifications

Technical specifications for English Eight-Day Longcase Clock
MovementEight-day, two-train plated movement with rack or count-wheel striking
Movement typeWeight-driven, two-train, plated movement with seconds pendulum
EscapementAnchor (recoil) escapement; deadbeat in regulator-grade work
JewelsNone in ordinary domestic work
Winding and settingKey-wind, weights on gut or chain, eight-day duration
SizeTypically around two metres tall; dial commonly 11–14 inches
Power reserveEight days between windings
FrequencySeconds pendulum, nominally about one metre long, giving a one-second beat
AccuracyA well-set-up domestic longcase can keep time to within a minute or so a week; regulators do far better
ComplicationsStriking the hours, subsidiary seconds, calendar aperture; moon phase and musical work in better cases
DurationEight days
EscapementAnchor (recoil); deadbeat in regulators
PendulumSeconds pendulum, approximately one metre
StrikingRack or count wheel

Identification

  • Count the winding holes: two means going and striking trains; one means timepiece only.
  • Look at the dial type (brass with applied chapter ring versus painted iron) for a broad date bracket.
  • Check whether the case has been reduced: internal seat board evidence and proportion tell you.

Variations

  • Thirty-hour clocks (single-handed or rope-driven), eight-day clocks, month and year duration in exceptional work.
  • Moon phase, tidal dial, calendar and musical variants.
  • Regional styles: Yorkshire broad cases, London arched-dial work, Scottish traditions and others.

Serial numbers and dating

  • English longcase clocks are generally not serially numbered in a way that permits dating; numbers on painted dials usually refer to the dial maker.
  • Maker attribution from the dial signature plus published maker directories is the standard route, and it dates the maker's working period rather than the clock.

Known examples and institutional holdings

  • National and regional museum collections hold documented examples; regional museums are the best source for local traditions.

Collecting

  • Assess movement, dial and case separately; originality of the pairing is the single biggest question.
  • Restoration history should be documented; over-restored cases and repainted dials are significant deductions.

Restoration and conservation

  • Do not re-bush, re-silver or repaint without recording what was there. Conservation is preferable to renewal.
  • Weights, pendulum and lines must suit the movement; wrong weights damage trains.
  • Movement work — cleaning, lubrication, mainspring replacement, pivot or jewel work — belongs with a qualified watchmaker. Conserve original parts; do not refinish dials or polish cases to remove honest wear.

Bibliography

  • Standard reference works on English domestic clocks and on British clockmaker identification (consult current editions).
  • Regional museum catalogues of provincial longcase clocks.

Bibliographic entries are given only at the level we can support. Where an edition, publisher or ISBN is not confirmed, it is deliberately omitted rather than invented.

Photographs

Eight-day clock by Nathaniel Munroe 1777-1862, case attrib to William Munroe Sr 1778-1861, Concord, 1805-1810, mahogany, pine, brass, steel, iron, glass - Concord Museum - Concord, MA - DSC05776
Eight-day clock by Nathaniel Munroe 1777-1862, case attrib to William Munroe Sr 1778-1861, Concord, 1805-1810, mahogany, pine, brass, steel, iron, glass - Concord Museum - Concord, MA - DSC05776Daderot, Public domain. Wikimedia Commons file page
Eight-Day Clock, Daniel Munroe & William Munroe, Concord, 1805-1820, mahogany, cherry, pine, steel, iron, painted glass view 1 - Concord Museum - Concord, MA - DSC05860
Eight-Day Clock, Daniel Munroe & William Munroe, Concord, 1805-1820, mahogany, cherry, pine, steel, iron, painted glass view 1 - Concord Museum - Concord, MA - DSC05860Daderot, Public domain. Wikimedia Commons file page
Eight-Day Clock, Daniel Munroe & William Munroe, Concord, 1805-1820, mahogany, cherry, pine, steel, iron, painted glass view 2 - Concord Museum - Concord, MA - DSC05862
Eight-Day Clock, Daniel Munroe & William Munroe, Concord, 1805-1820, mahogany, cherry, pine, steel, iron, painted glass view 2 - Concord Museum - Concord, MA - DSC05862Daderot, Public domain. Wikimedia Commons file page

Photographs are illustrative examples of the type, not necessarily the exact object described. Verify details against the source file page.

Sources & references

  1. Museum catalogues of English domestic clocks.
  2. Published directories of British clock and watch makers.

Where sources disagree, the disagreement is stated rather than resolved silently.